Interview mit Martin Müller, Tagesspiegel, 22. Oktober 2023. Copyright: Tagesspiegel
Martin Müller im Interview mit dem Tagesspiegel
Clustermitglied und CollActive Materials Co-Projektleiter Martin Müller wurde nach der Eröffnung von »Airbound« am 19. Oktober 2023 im CLB im Aufbauhaus zur Ausstellung interviewt. »Die Luft spielt eine existenzielle Rolle in der globalen Klimakrise. Die Ausstellung soll die Aufmerksamkeit darauf lenken, dass mögliche Zukünfte sich auch an der Luft entscheiden, an unserem Verständnis davon, was es bedeutet zu atmen, mit der Luft zu leben. Wir sind ›airbound‹ – luftverbunden.«. Mehr zur Ausstellung und das ganze Interview gibt es im Tagesspiegel vom 22. Oktober 2023.
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Gosia Lehmann, Breathless Choir. Copyright: CollActive Materials, Foto: Michelle Mantel
Ein Bericht zur Ausstellung »Airbound. Sensing Collective Futures«
Allgegenwärtig und doch unsichtbar: Luft begleitet uns Menschen täglich und ist essentielle Lebensgrundlage. Einen neuen Blick auf Luft als Material, als verbindendes soziales Element und als entscheidenden Raum für Zukunftsverhandlungen bot vom 20.10. bis 09.11.2023 die Ausstellung »Airbound. Sensing Collective Futures«, zusammengestellt vom Co-Design-Projekt CollActive Materials.
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Exhibition Opening »Airbound«, 19 October 2023. Copyright: Matters of Activity
Speculative Exhibition by the »CollActive Materials« Experimental Laboratory
Invisible, and yet everywhere. Air is always already on its way to becoming something else. From molecule to atmosphere: the global climate crisis and thus the possible futures of our coexistence will be decided by means of air. How could a new sensorium emerge for the coming? What will connect us in the future? »Airbound« runs until November 9th and provides space for discussing geopolitical urgencies of the present through climate fictions and speculative everyday scenarios.
As part of Berlin Science Week »CollActive Materials« also organizes the workshop »Introducing: The Breathless Choir« November 4th at Naturkundemuseum.
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Workshop »Aerial Witness/ing«. Copyright: The Future of Life School, Clemens Winkler
Speculative Workshop on July 25th-29th During »The Future of Life Summer School«
Air does not obey nor care about human-made territorial borders, yet it affects and activates various material thresholds! Cluster Members Léa Perraudin, Emilia Tikka, Martin Müller and Clemens Winkler come together at the interstices of critical humanities scholarship, speculative design and new material practices July 25th–29th during »The Future of Life Summer School«, an exploratory summer program organized by the Bio Design Lab, an incubator for collaboration within Karlsruhe University of Arts and Design.
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Nervous Listening Hands-On Workshop. Copyright: Matters of Activity
Workshop and Lecture with Marina Peterson
On Monday, June 26th, anthropologists of art and science Marina Peterson (University of Texas in Austin) & Maxime Le Calvé (MoA) invited to »Nervous Listening«, an experimental ethnography workshop, realized together with cloud designer Clemens Winkler (MoA). Entering the Central Laboratory that day, participants were greeted with balloons to inflate with their breath and a 285-hertz »Theta« sound bath, which they were invited to explore haptically through the red latex bubbles. Blown into tension, they made us subtly reactive to air vibration. Thus attuned, we started listening nervously to the atmosphere around and to each other’s vocal utterances.
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Hybride Formen. Copyright: Hochschule für Schauspielkunst Ernst Busch
A Participative, Artistic-Research Theater Piece of the Master's Program »Spiel und Objekt«, Ernst Busch Academy of Dramatic Arts, Taught by Clemens Winkler
The participatory, artistic-research theater piece by the students of the Master's Program »Spiel und Objekt« at the Ernst Busch Academy of Dramatic Arts is divided into »Three Perspectives« and »Playing Emissions«. In »Playing Emissions« you enter the theme park of air futures! Experience the production of steam, body heat, sweat, feelings, breathing exercises in various eventful dramaturgies. How do we transform strong personal emotions from moments of crisis into new forms of collaborative play? The piece was created in collaboration with the experimental lab »CollActive Materials«, the Cluster of Excellence »Matters of Activity. Image Space Material« and the Potsdam Institute for Climate Impact Research.
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Futures of Air. Copyright: CollActive Materials
Speculative Workshop Series in May
Ungraspable! Air is invisible, yet it is eyerywhere. Always already on its way to becoming something else. From molecule to atmosphere: the global climate crisis and thus the possible futures of our coexistence will be decided by means of air. Does the air belong to all of us? What stories lie in the air? What will connect us in the future? Our workshop series invites you to speculate about »Futures of Air« – together with researchers from »Matters of Activity« and »Science of Intelligence«. In three different co-design workshops, we explore and negotiate the critical role of air as a collective, active, and intelligent material. An exhibition will present the workshop conversations and outcomes in the fall of 2023 at Aufbau Haus (CLB Berlin).
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Cover of the publication »Atem/Breath. Gestalterische, ökologische und soziale Dimensionen/ Morphological, Ecological and Social Dimensions«, edited by Linn Burchert and Iva Rešetar.
New Anthology Co-edited by Cluster Member Iva Rešetar
In the course of breathing – in the process of constant exchange and crossing of boundaries between the organism and its environment – air as an »immaterial» material becomes active. For the first time, this anthology, edited by Linn Burchert and Iva Rešetar, brings together studies on breath from the perspective of the arts and humanities, as well as experimental scientific and design practices. Focusing on the period from 1900 to the present day, the publication covers an era during which air has become a precarious medium: whether in the context of climate change or global pandemic, space technology or gas warfare, air is now co-created and manipulated by humans. Against this backdrop, breath appears as an elusive yet vital substance that reveals the interconnections between the physical, symbolic, technological and social realms.
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Anne Duk Hee Jordan, »Making Kin 3.0«, 2021, KIOSK, Ghent, Belgium. Site specific Installation, with works included »Atmospheres of Breathing«, 2020-2021, »Singing Saw«, 2018, »I am so ashamed«, 2020, »Staying with the trouble«, 2019. Curated by Simon Delobel. Photo: Paulius Sliaupa
Lecture and Artist Talk Now Online
Are there aesthetic links between clouds, robots and the sea? The lecture by Babette Marie Werner, the performative talk with visual artist Anne Duk Hee Jordan and artistic and design researcher Clemens Winkler explored relations between visual interpretations of metabolic formations, biodiversity and new ecologies in art and design. This event was part of the exhibition »Stretching Materialities« by »Object Space Agency«. Follow the link to watch the full artist talk online.
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MoA Exhibition »Stretching Materialities«. Copyright: Offshore Design
Hidden Activities in Objects and Spaces at Tieranatomisches Theater
Matter is dead? Objects are lifeless? Think again! In the exhibition »Stretching Materialities« the liveliness and activity of matter could be experienced in a completely new way. From September 16th, 2021 to March 4th, 2022, the Tieranatomisches Theater in Berlin became an interactive playground: an actual cloud levitated in the middle of the room, reacting to body heat and movement, hovering around the visitors like a strange creature. Stones revealed their weathering as a dynamic process of change. Large willow structures, carefully co-crafted by humans and computers, were interwoven with the inhabitable space. Korean ›durumagi‹, a silk overcoat connecting the digital and physical realm, vibrated on the visitors’ skin as they interacted with diverse materials. Walking through the room with VR headsets on, visitors could enter a glass elevator and travel straight down into the materials presented – into the CT scan of a stone or high up into the clouds to interact with air molecules.
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Nutrition Clouds. C. Winkler. Exhibition at STATE Studio Berlin. 2020. Copyright: A. Freitag
Clemens Winkler at Morphing Matter Lab
Cluster member Clemens Winkler was a guest at Morphing Matter Lab on Friday, April 2nd, 9:30–10.30 pm (3:30–4:30 pm EST). His studio talk dealt with the questions: How can we give people agency in a vague, cloudy present by reflecting on a Heterotopia through speculating materials? And how can a material-oriented approach in design emphasize the organic interplay between activation/synthesis/assembly and inhibition/degradation/disruption? Also, this talk reflected on the potential of matter as a mediator between various disciplines, spaces and timescales.
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»Macht Natur« at State Studio. Copyright: Samuel Henne
What Power do We Exert on Nature? And How Much Power Does Nature Have Over Us?
The exhibition presented innovations, potentials and risks of bio-economy in the fields of insects, plants, soil and air, offering the opportunity to try out different perspectives and deal with new phenomena in a playful way. How far do we want to go and where do we draw boundaries? ›Air‹ was investigated by design researcher and Cluster member Clemens Winkler.
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Exploring Fitering. Copyright: Veronika Aumann, Thomas Ness
A Short Project on the Filtering Process
In the week-long short project »Exploring Filtering«, Cluster member and interaction designer Thomas Ness, and textile designer Veronika Aumann dealt with the topic of Filtering with an open-ended mindset. The goal of this creative exploration of filtering processes was to gauge and express them in a practical and tangible way, respectively.
The point of departure for this was not a particular substance to be filtered or a specific substrate to be attained. Rather, the interest lay much more on the actual processes of filtering in and of themselves and the filter as an object. In the »Design Lab«, different kinds and methods of filtering processes were tested hands-on with familiar prototyping materials and techniques and transformed into six narratively and visually impressive representations.
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Entering Nutritious Clouds at Phlegraean Fields, 2017. Seminar »Terranautic Instruments« with Roman Kirschner. Copyright: Clemens Winkler/ Roman Kirschner
The exhibition space can also be understood as a space for processes metabolizing substances and forms. As a blob-like organism, a relational concept of activity and space makes it necessary to experimentally experience not only human and object-related perspectives, but also their energetic and material permeations. Hereby, it is more likely to link environments known to metabolisms from a human-scale perspective, such as volcanic grounds, to the exhibition space. Metabolic formations such as sediments or traces are in constant intentional and unintentional interaction with techniques and at the same time determine the energetic and material modes of the exhibition space. How can we make these modes more tangible for critical futures acting as systems designers?
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