Exhibition of research objects during the MoA PhD presentations 2024. Posterlayout Ada Favaron. Copyright: Matters of Activity
Presentations Doctoral Program 2024
Under the title »testing un/common grounds«, the Matters of Activity doctoral cohort impressively presented the progress of their diverse research projects during the Cluster retreat. The event included the three moderated panel discussions as well as an exhibition of selected research objects that were at the core of the format. With their various disciplinary backgrounds ranging from art, architecture, engineering and design to the humanities and natural sciences, the group explored this interdisciplinary ›un/common ground‹ and aimed to develop forms of common knowledge that respect locally-based actors and embrace collaborations with diverse agencies and species.
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Folgenbild Syntopische Architekturen, 2024. Käferbefallenes Fichtenholz, Foto: Pelin Asa, MPIKG, adaptiert von MoA.
Neue Podcast-Folge der Serie »Exzellent Erklärt« mit Karola Dierichs und Robert Stock
In Folge 48 der Podcastserie »Exzellent Erklärt« erwartet die Zuhörer:innen ein inspirierender Austausch zu der Frage, wie die Materialien, die in der direkten Umgebung und ihren Kreisläufen vorkommen, das Bauen der Zukunft mitgestalten können. Journalistin Larissa Vassilian hat mit Cluster-Mitgliedern Karola Dierichs und Robert Stock über ihr Projekt »Syntopic Architectures« gesprochen, das darauf abzielt, natürliche Strukturen in die Architektur zu integrieren, die in Verbindung zu dem Ort stehen, an dem gebaut wird. Ein Beispiel dafür ist das Arbeiten mit Käferholz, also mit Holz, das vom Borkenkäfer befallen wurde.
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Syntopia – Harvesting the Forest; MoA Design Research Studio. Prototype by Gaia Reiner. Copyright: Gaia Reiner
Harvesting the Forest
The MoA Design Research Studio »Syntopia — Harvesting the Forest« investigated how materials collected in the forest can be formed into architectural structures. Such materials can for example be branches, leaves, moss, bark, grass or even earth. It was structured in three successive phases. Phase 1 engaged in the speculative design of »Stories of Syntopia«. Phase 2 introduced harvesting, analyzing, making and recording in »Designing Syntopia«. In phase 3, we shared our vision and our designs with a wider public by »Showing Syntopia«.
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Charlett Wenig, Bark Sphere, 2021. Copyright: Alexander Magerl
Matters of Activity und CollActive Materials starten Kooperation mit Futurium Lab
»Matters of Activity« und das Experimentallabor für Wissenschaftskommunikation »CollActive Materials« starteten im März eine neue Veranstaltungsreihe im Futurium Lab. Unter dem Titel »Materialzukünfte besuchen« fanden über vier Monate vier Workshops statt, die die Forschung des Clusters mit der Zivilgesellschaft zusammenbrachten und in denen gemeinsam über Materialzukünfte spekuliert wurde. Begleitet wurden die Veranstaltungen von einer temporären Ausstellung im Futurium Lab.
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Syntopia. Copyright: Jihae Lee, weißensee school of art and design berlin
Final Review of MoA Design Research Studio
We hereby cordially invite you to the final review of the MoA Design Research Studio »Syntopia—Harvesting the Forest«, which will take place on Tuesday, July 18th, in Room 2.03 at weißensee school of art and design berlin. The studio led by Cluster Professor Karola Dierichs, investigated how materials collected in the forest can be formed into architectural structures. Such materials can for example be branches, leaves, moss, bark, grass, or even earth.
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Copyright: N Scot Unsplash
Robert Stock Talks at the Hybrid Symposium »Luso-Ecologies: More-Than-Human Complexities, Agency, and Resistance in the Lusophone Anthropocene« at University of Oxford
Following Mia Couto’s quote, places of ›nature‹ require us to think more than we would expect. While highlighting that those ›natural‹ places were fabricated through stories (and histories), Couto also contends that they are indeed ›fazedores‹ – makers – of so many other stories. Taking up these thoughts that resonate with Haraway’s claim to create novel stories and »stay with the trouble«, Robert Stock approaches the coastal line of Mozambique to learn about the ways in which mangrove forests intersect with the contemporary postcolonial condition of this country as part of the first panel starting Thursday, March 30th.
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Nursery stock of spruce (2+0) for afforestation. Credits: wikimedia commons / adapted by Matters of Activity
Robert Stock Gave Talk at EASST 2022 »The Politics of Technoscientific Futures«
In the EASST Conference »The Politics of Technoscientific Futures«, taking place in Madrid July 6th–9th, Cluster Member Robert Stock was part of the panel »ForeSTS«, which aimed to bring together STS perspectives on forests. His talk »Forests as Techno-Natures: Translating Digital Environmental Subjects« was closely related to the project »Active Trees – Knowledge, Technologies and Futures« as part of »Material Form Function«.
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Advanced Materials Design Based on Waste Wood and Bark
New Paper by Members of »Weaving« published in »Philosophical Transactions A«
Cluster members Charlett Wenig, Friedrich J. Reppe, Karin Krauthausen, Peter Fratzl and Michaela Eder together with colleagues published a paper in the journal »Philosophical Transactions A« by »The Royal Society«. Trees belong to the largest living organisms on Earth and plants in general are one of our main renewable resources. Wood as a material has been used since the beginning of humankind. Today, forestry still provides raw materials for a variety of applications, for example in the building industry, in paper manufacturing and for various wood products.
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Hambacher Forst, Germany, March 2024. Copyright: Rahel Kesselring
This research project will contribute to their research by developing an interdisciplinary and humanities-based perspective on wood, forests, and bark. It will draw on new materialism, STS, history of knowledge; decolonial thought and posthuman approaches to map tree-related knowledges, technologies, and futures by drawing on scientific works, material cultures, and cultural production.
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Left: The Bark Sphere, Charlett Wenig with Johanna Hehemeyer-Cürten I MPI-CI and Alexander Magerl, 2021
Middle: The Bark Project Flexibilized, Charlett Wenig with Johanna Hehemeyer-Cürten I MPI-CI and Patrick Walter
Right: Charles Eisen’s allegorical engraving of the first hut (= Vitruvian hut). Frontispiece in: Marc Antoine Laugier, Essai sur l’architecture, Paris: Chez Duchesne […], 2. edition, 1755. ETH-Bibliothek Zürich, Rar 1254, https://doi.org/10.3931/e-rara-128 / Public Domain Mark
»Syntopic Architectures« engages in structures for habitation, sourced from and embedded in the material cycles of a specific environment. The term ›syntopic‹ (noun: syntopy) has been coined by Luis Rene Rivas in 1964 and denotes the inhabitation of the same »macrohabitat« by »two or more related species«. It is a composition of the Greek words ›syn‹ meaning together and topos meaning place. To develop Syntopic Architectures thus means to create inhabitable structures with the place where they are built in.
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Charlett Wenig, Bark Sphere, 2021. Copyright: Alexander Magerl
Bark, the boundary between trees and their environment, comprises about 10–20% of their total volume. It forms the interface between the environment and the vital cambium and wood. But what does this protection feel like? Can bark take on protective functions for humans as well? These questions arise when peeling bark off a tree for the first time. The aim for the bark sphere installation is to allow one or more people to stand inside and experience being completely surrounded by bark. The use of tree bark with a woven structure allows the use of the protective function of bark in addition to controlling the object’s stability by using different weaving patterns. The inherently difficult round shape of the sphere was selected to explore the limits of formability and to leave room for the viewer’s own interpretation.
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Tour through the abandoned city of Manheim with artist Silke Schatz and her art project »Manheim calling.« The town has been evacuated and demolished to make way for lignite mining close to »Hambacher Forst« in North Rhine-Westphalia, Germany. Schatz’ ongoing art project is part of the investigation of Rahel’s PhD project »One Big Green Thought.« Image: Rahel Kesselring, March 2024.
Repair, Regeneration and Rewilding as Artistic Practices in Damaged Environments
In her doctoral project, Rahel investigates artistic practices, which are set in damaged environments and have plants, trees, and forests as their object of investigation. By analyzing selected case studies from the field of contemporary art and recent art history, the project aims to discuss arboreal politics, their medial modes of representation, and the epistemologies brought together in them
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Physical damage on the tree due to beetles and fungus. Left: Bark beetle galleries and larvae under the bark of a spruce tree. Middle: Bark beetle galleries on the sapwood of a spruce tree. Right: Other insect holes and brown rot streaks on spruce wood. Pelin Asa, MPICI, 2023.
Reversible Components from Low-grade Wood
Spruce forests in Europe face significant challenges from increasing bark beetle attacks, partly attributed to droughts and extreme weather conditions. Drawing from field research conducted in Feldbuch, Germany, this project analyses factors that lead to bark beetle outbreaks and their impact on the trees, local forests, and communities. As bark beetle infestations escalate, there is a growing focus on understanding their impact on trees and forests, yet research into beetle-affected wood and its potential applications in architecture and digital fabrication remains limited. This research aims to address this gap by identifying key questions surrounding beetle-infested wood and showcasing its potential for valorisation.
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