Design Lab #13: Material Legacies
Exhibition at Kunstgewerbemuseum
The exhibition »Design Lab #13: Material Legacies« at Kunstgewerbemuseum Berlin explored contingencies and ruptures between traditional crafts and the most recent developments at the crossroads of material research, design, engineering, and architecture. It brought together artifacts from the museum’s collection with work-in-progress installations by designers and researchers from the Cluster of Excellence »Matters of Activity. Image Space Material« in order to initiate a dialogue about the historical, contemporary, and future conditions under which materiality unfolds.
By engaging with a series of different materials and techniques the exhibition encompassed both the problematization of unsustainable pasts and presents as well as the imagination of speculative material futures. Taking materiality as a starting point, each of the exhibits investigated its sociocultural, economic, and political context in order to disentangle the multiple interrelations that arise from and with materials. As such »Design Lab #13: Material Legacies« aimed to challenge the passive understandings of materiality and associate with the widening discourse on relational knowledge practices in arts, design, humanities, and social science.
The exhibition booklet can be downloaded here.
Upcoming Events
The exhibition is accompanied by a program consisting of round table talks with invited guests, hands-on workshops for kids and adults, and guided tours by the exhibiting researchers and designers.
The participation is free of charge, no registration is needed.
23.02.2023, 6.00– 7.30 pm
Architectural Yarns negotiate between the scales of textiles and architecture and the different timescales and life cycles of building elements. As a design intervention into the built space, in contrast to solid construction, they are less concerned with permanence and more with adaptation and flexibility of use. Yarns show the possibility of building differently – with thermally active phase change materials or with plant fibers. Various textile techniques are explored in this experiment to create soft, provisional architectures. Through the tactile practice of making, yarns are formed into a structure with many possible arrangements, only to be unravelled again later. Such a bodily engagement with the textiles conveys a »tangible thinking,« – similar to the handcraft techniques of tapestries and carpets – and in the case of our experiments, a way of interconnecting plants, things, bodies, and environments which find their contact surface in fiber, yarn, and the built fabric.
Christiane Sauer in discussion with Emanuele Coccia, Peter Fratzl and Beatriz Morales. Moderation: Iva Resetar
English
18.02.2023, 12–6 pm
Flax as a natural material is deeply rooted in textile culture, and the processing of plant fibers into fabrics and ropes has a long standing history. Natural plant fibers have shaped the tools of the textile industry for centuries. When Ritzi and Peter Jacobi began creating relief tapestries from natural plant fibers in the 60s, they began exploring a new language of forms using non-traditional crafting techniques. In this workshop, we revisit their work and take inspiration for a transdisciplinary exchange between textile design, material science and architecture. During a hands-on exploration with off-the-loom textile techniques, we seek to transfer our knowledge into an architectural context. We take a closer look at plant fibers and various binding techniques, and explore large fiber bundles as the basis for a new construction method - Architectural Yarns.
m.schneider@kh-berlin.de
English
9.2.2023, 6.00–7.30 pm
Assembling the Coast is a sensorial-ethnographic investigation of a coastal replenishment project on the Baltic Sea. Erosion and rising sea level lead to coastal retreat and frequent replenishments are used to counteract this process. Together with cinematographer Konstantin Mitrokhov and sound designer Andreas Kühne, Michaela Büsse developed a film work that captures the transformation of the coast into a landscape that is both natural and constructed. During the round table participants will discuss the role of artistic practice in researching material transformation and environmental change.
Design anthropologist and Cluster Member Michaela Büsse will discuss her work with geographer Katherine Dawson (University College London), communication expert Hannah Tollefson (McGill University Montreal) and environmental anthropologist Jerry Zee (Princeton University). Moderation: Jeff Diamanti (University of Amsterdam)
English
26.01.2023, 6.00– 7.30 pm
From the point of view of today's wood industry, bark represents a remnant that is difficult to recycle. Since bark represents about 10-20% of the total volume of trees, the amount of waste in the current timber plantation economy should not be underestimated. What new applications can these »leftovers« be put to? And has tree bark always been primarily a waste product everywhere? We take up these questions and will explore new design approaches and postcolonial histories of this material. The exhibition station on bark results from a cooperation between material and cultural science: On the one hand, Charlett Wenig at the MPI for Interfacial and Colloidal Research is concerned with tree bark, its processing and woven structures. Robert Stock researches at the Institute for Cultural Studies of the HU Berlin on the historical and material genealogies of bark and wood.
Charlett Wenig in discussion with Ferréol Berendt (HNE Eberwalde) and Nikolaus Stolle (Goethe-Universität Frankfurt). Moderation: Robert Stock.
German
22.01.2023, 12.00 pm
Guided tour through the exhibition with Charlett Wenig
German
13.01.2023, 4.00 pm
Guided tour through the exhibition with curator Emile de Visscher
German
12.01.2023, 6.00– 7.30 pm
Vascular structures are paradigmatic examples of the biological realm. Organs, corals, or mycelium all exhibit complex tubular geometries which optimize exchanges and provide room for healing, evolution and activity. Although slow to grow, these systems are extremely e·cient and rely on little energy compared to mechanical or electrical alternatives. Vascularization explores different methods to generate vascular structures in biocompatible materials. It sparked from the scientific work of Igor Sauer, surgeon and Head of the Experimental Surgery Lab at Charité Hospital, and Marie Weinhart, biochemist at Freie Universität Berlin, who collaborate to nd innovative ways of producing artificial organs with hopes to alleviate donation scarcity. Extending this research in oncology and biochemistry to design and architecture. The project investigates spontaneous tubular material formations.
Emile de Visscher and Igor Sauer in discussion with artist and designer Lyndsey Walsh. Moderation: Martin Müller.
English
8.12.2022, 6.00–8.00 pm
Humans have always been drawn to patterns in nature. In our project we investigate »Tessellated Material Systems« such as the armour of armadillos and boxfish, to design and fabricate synthetic materials. Naturally-inspired motifs such as tilings and tessellations have found application as building strategies and in decoration from antiquity onwards. In the panel we will relate to objects of the KGM collection that employ techniques of tiling on curved surfaces. We will deconstruct how decor leads to a self-descriptiveness emphasising the object’s geometry, its aesthetic quality and functional aspects.
Felix Rasehorn, Lennart Eigen and John Nyakatura in discussion with Jörg Petruschat and Alwin Cubasch. Moderation: Karola Dierichs.
German
24.11.2022, 6.00–8.00 pm
»Self-Shaping Textiles« focuses on creating meter-scale surface structures by transforming 2D surfaces into 3D wrinkled structures. Inspired by morphogenetic processes in plant leaves, it proposes using 3D printing on pre-stretched textiles as an alternative, material based form-finding technique to obtain meter-scale surface structures for architectural elements such as facade panels and shading elements. In particular, it explores the design space of non-intersecting lines that self-organize into visually complex macroscopic patterns and surface textures upon fabric tension relaxation. The large format prints featured are both an opportunity to establish a dialogue with the spectator while constituting »fieldwork« experiments to test the effect of additional external conditions.
Lorenzo Guiducci and Agata Kycia in discussion with the architect Giovanni Betti and the fashion sociologist Antonella Giannone. Moderation: tbc.
English
20.11.2022, 2.00 pm
Guided tour through the exhibition with Helen Pinto.
17.11. 2022, 1.00 pm
A guided tour with the exhibitions curators and participating researchers. Satellite Event of MoA's Annual conference Deep Material Futures.
Venue and Cooperation Partners
»Design Lab #13: Material Legacies« is part of the Design Lab exhibition series at Kunstgewerbemuseum Berlin, that since 2019, has invited selected design studios, students, and researchers to present current projects and to engage in discourse with the collection of the Museum of Decorative Arts. The series is curated by Claudia Banz, curator for design at the Kunstgewerbemuseum. It is supported by the Kuratorium Preußischer Kulturbesitz (Board of the Prussian Cultural Heritage Foundation).
The exhibition will be running from 4 November 2022 to 26 February 2023. For the exhibition announcement on the website of the Staatliche Museen zu Berlin – Preußischer Kulturbesitz, go here.
Exhibition Opening
3 November 2022, 6 pm
The well attened opening event included an introduction to the exhibition by Dr. Claudia Banz, Curator of Design at the Kunstgewerbemuseum Berlin, and Prof. Dr. Claudia Mareis, co-director of the Cluster of Excellence »Matters of Activity. Image Space Material«. Moreover, exhibition curators Michaela Büsse and Emile De Visscher provided background on the exhibition, its goals, and how the curatorial process was undertaken.
The exhibition opening was part of the Berlin Science Week 2022. For more information see here.
Michaela Büsse
Dr. Mason Dean
Emile De Visscher, PhD
Prof. Dr. Karola Dierichs
Dr. Michaela Eder
Lennart Eigen
Dr. Lorenzo Guiducci
Johanna Hehemeyer-Cürten
Heidi Jalkh
Dr.-Ing. Agata Kycia
Prof. Dr. Claudia Mareis
Prof. Dr. John Nyakatura
Felix Rasehorn
Prof. Dr. Patricia Ribault
Iva Rešetar
Prof. Christiane Sauer
Prof. Dr. med. Igor Sauer
Maxie Schneider
Prof. Dr. Robert Stock
Jojo Shone
Charlett Wenig
Kunstgewerbemuseum der Staatlichen Museen zu Berlin
Matthäikirchplatz
10785 Berlin
- Round Table »Self-Shaping Textiles at the Intersection of Fashion, Architecture and Technology«
24.11.2022 - Round Table »Tessellated Material Systems«
8.12.2022 - Round Table »On the Fabrication of Organs: Vascular Structures, Medical Needs and Critical Speculations«
12.1.2023 - Round Table »Rinde: Gestaltung mit Resten«
26.1.2023 - Round Table »Politics and Poetics of Sand«
9.2.2023 - Round Table »On Fibers and Mixtures«
23.2.2023