Karola Dierichs' Project Contributes to Exhibition and Symposium »Being Plastic/Becoming Plastic« at the University of Virginia
In March 2024, Karola Dierichs exhibits the project »Syntopia 0—Anthropos I Human« as part of the exhibition and symposium »Being Plastic/ Becoming Plastic« at the University of Virginia, US, under the direction of Ehsan Baharlou. Initially conducted under the title »ICD Aggregate Pavilion 2018«, the project explores the construction of spatial enclosures made from designed granular materials. Yet one might now call this project »Syntopia 0—Anthropos I Human« in the present discourse on human-made plastic residue. This considers the research not only as an example of materials design and construction robotics but also as a monument of anthropogenic mass superseding living biomass around 2020, given it was made of injection-molding plastic waste from the local Stuttgart car industry.
Online Documentation of Interdisciplinary Cluster Workshop Available Now
In March 2023, an interdisciplinary team from design, computer science, art, and cultural studies examined various concepts of dealing with radioactive waste and the historical environmental impact of the industrial site of Oranienburg. While exploring the history of radioactive legacies in Oranienburg, we were confronted with different types of information: traces of the former industrial sites and bombings, symbols, maps, or signs of cleaning and securing as well as memorials as part of today's culture of remembrance. Oranienburg, with its multi-layered historical legacies, but also the land activations that have taken place, thus offered a concrete environment for the workshop questions as a field of research and experimentation. The group now published detailed documentation of the workshop.
Leila Wallisser Awarded With German Design Graduates' 1st Prize
Leila Wallisser has been awarded the First Prize of the German Design Graduate (GDG) Committee 2023 in the category »Sustainability and Circularity« for her Master’s Thesis »Toxic Legacies« conducted at weißensee school of art and design berlin, supervised by »Matters of Activity« members Prof. Dr.-Ing. Karola Dierichs and Prof. Dr. Lucy Norris. »Toxic Legacies« is an innovative design project that delves into the world of recycling, shedding light on how the concept of recycling can tend to justify the production of waste in a consumer-based system.
Robert Stock will Give a Lecture on 30 August at the Annual Conference of the Royal Geographical Society
On August 30th, 2023, Cluster Professor Robert Stock will give a talk about Australia's nuclear contamination from a critical disability studies' perspective. In his contribution at the Annual International Conference of the Royal Geographic Society, Robert will focus on Yami Lester, a blind aboriginal activist engaged in social change and political intervention in the settler society of Australia. The RGS-IBG Annual International Conference is taking place in London at the Society and Imperial College London, and online from Wednesday 30 August to Friday 1 September 2023, prior registration is needed.
Charlett Wenig Speaks at Interdisciplinary Conference
Wastework is an international, interdisciplinary 3-day conference on the materiality, spatiality, and processing of waste in the early modern workshop. It proposes to examine acts of disposal, displacement, removal, and abeyance – in short, the getting rid of unwanted things – and the consequences these carry for the study of early modern material culture. Cluster researcher Charlett Wenig is on the panel »Paradoxes of Matter«, on March 17th at 2:00 pm.
Workshop about Information Physicalization of Nuclear Cultural Heritage
The three-day-workshop »Tracing tainted environments: Legacies of Oranienburg« from March 14th-16th, 2023, explores different approaches to the historical legacies of the industrial site of Oranienburg in the north of Berlin. In different settings we are questioning adequate tools by joining various disciplinary perspectives on dealing with data and environmental pollution: human-computer interaction, design, history, and cultural and political studies. The industrial site of Oranienburg with its multi-layered historical legacies will be taken as a field of research and experimentation, thus providing a concrete setting for the workshop questions. In experimental series, talks and excursions, the three-day workshop explores the different dimensions of information in the context of non-tangible traces and summarizes them in design concepts.
Workshop on 11–12 November
Filtering Technologies are at the center of many current processes of our transformational age as they can alleviate the impact of industrial societies in their planetary dimension. We understand the process of filtering as a scalable environing technique that differentiates and maintains symbolic and material environments alike. Filtering is a process that matters in a twofold way: It is a material process and a symbolic activity. Applying filters means negotiating between the wanted and the unwanted, between the polluted and the untouched environment, and between what is considered dangerous or safe.
The workshop organized by Alwin Cubasch, Vanessa Engelmann, Ronja Quast, Heike Weber and Verena Winiwarter aimed for a better understanding of the ecologic economy of wastes, sinks and waste legacies which resulted from the hope to unmake the adverse byproducts of filtering activities. What have been the challenges and pitfalls of the past – and what can we learn for the future design and technology of filters?
Symposium conceptualized and Curated by the Research Team »Times of Waste« at FHNW Academy of Art and Design Basel, in Collaboration with MoA and Kunstgewerbemuseum
The symposium took place June 17th – 18th 2021 and provided a platform to discuss the engagement with (waste) material and bridged between theoretical studies and a response/able, careful way of handling materiality in sciences, arts, and collections. The event was conceptualized and curated by the research team Times of Waste at FHNW Academy of Art and Design Basel and realized in collaboration with the Cluster of Excellence »Matters of Activity« and the Kunstgewerbemuseum der Staatlichen Museen Berlin.