Prof. Dr. Horst Bredekamp

Monographs & Books

Bredekamp, H. 2020. Art History and Prehistoric Art: Rethinking their Relationship in the Light of New Observations. Translated by M. Cohen. The Twentieth Horst Gerson Lecture, 4th of October 2019. Groningen: University of Groningen Press.

Bredekamp, H. 2020. Die Fenster der Monade: Gottfried Wilhem Leibniz' Theater der Natur und Kunst (Acta humaniora). 3., korr. Auflage. Berlin: De Gruyter. https://doi.org/10.1515/9783110635102

Bredekamp, K. 2020. Leviathan: Body politic as visual strategy in the work of Thomas Hobbes. Trans. Clegg, E. Berlin, Boston: De Gruyter.

Bredekamp, H. 2019. Aby Warburg, der Indianer: Berliner Erkundungen einer liberalen Ethnologie. Berlin: Wagenbach.

Bredekamp, H. 2019. Darwin's Corals. A New Model of Evolution and the Tradition of Natural History. Trans. of Darwins Korallen. Berlin: De Gruyter. https://doi.org/10.1515/9783110680317

Bredekamp, H. 2019. Galileo’s Thinking Hand. Mannerism, Anti-Mannerism and the Virtue of Drawing in the Foundation of Early Modern Science. Trans. of Galileos denkende Hand. Berlin: De Gruyter. https://doi.org/10.1515/9783110539219

Bredekamp, H. 2017. Der Behemoth: Metamorphosen des Anti-Leviathan. Carl-Schmitt-Vorlesungen Band 1. Berlin: Duncker und Humblot.

Bredekamp, H. 2017. Image Acts. A Systematic Approach to Visual Agency. Image Word Action, 2, Trans. of Theorie des Bildakts. Berlin: De Gruyter. https://doi.org/10.1515/9783110548570

Bredekamp, H. 2007. Galilei der Künstler: Der Mond. Die Sonne. Die Hand. Berlin: De Gruyter.

Edited Volumes & Exhibition Catalogues

Doll, N., Bredekamp, H., Schäffner W. for the Cluster of Excellence » Image Knowledge Gestaltung. An Interdisciplinary Laboratory« eds. 2017. +ultra. knowledge & gestaltung. Exh. cat., Martin Gropius Bau Berlin. Trans. of +ultra. gestaltung schafft wissen. Leipzig: E.A. Seemann.

Stuhl, F., Bredekamp, H., Schäffner, W. eds. 2017. +ultra. gestaltung schafft wissen. Dokumentation der Ausstellung und ihrer partizipativen Vermittlungsformate. Münster: Waxmann.

Bredekamp, H., Schäffner W. eds. 2015. Haare hören – Strukturen wissen – Räume agieren. Berichte aus dem Interdisziplinären Labor »Bild Wissen Gestaltung«. Bielefeld: transcript.

Bredekamp, H., Brückle, I, Needham, P. eds. 2014. A Galileo Forgery: Unmasking the New York Sidereus Nuncius. De Gruyter. https://doi.org/10.1524/9783110354782

Articles in Edited Volumes

Bredekamp, H. 2020. »Appendix: Twilight of the gods for Neoplatonism (1986/1992).« In Iconology, Neoplatonism, and the Arts in the Renaissance, edited by Hub. B., Kodera, S. London: Routledge, 216-229.

Bredekamp, H. 2016. »Galilei’s spiral scribbles, campanella and fludd.« In What Reason Promises, edited by Doniger, W., Galison, P., Neiman, S. Berlin/Munich/Boston: De Gruyter, 100-116. https://doi.org/10.1515/9783110455113-015

Bredekamp, H. 2015. »Art History.« In International Encyclopedia of the Social &Behavioral Sciences: Second Edition, edited by Wright, J. Elsevier, 21-26. https://doi.org/10.1016/B978-0-08-097086-8.62101-3

Bredekamp, H. 2014. »The Picture Act: Tradition, Horizon, Philosophy.« In Bildakt at the Warburg Institute, edited by Marienberg, S., Trabant, J. Berlin/Munich/Boston: De Gruyter, 3-32. https://doi.org/10.1515/9783110364804.3

Bredekamp, H. 2014. »Towards a psychology of the forger.« In A Galileo Forgery: Unmasking the New York Sidereus Nuncius, edited by Bredekamp, H., Brückle, I., Needham, P. De Gruyter, 89-93. https://doi.org/10.1524/9783110354782

Bredekamp, H. 2013. »Franz Kugler and the concept of world art history.« In Cultural Histories of the Material World, edited by Miller, P.N. The University of Michigan Press, 249-262. https://www.scopus.com/inward/record.uri?eid=2-s2.0-84946003526&partnerID=40&md5=b57c27971dac71b3f277295a1d841627

Bredekamp, H. 2010. »Wilhelm Pinders »Ungleichzeitigkeiten des Gleichzeitigen«.« In Rekursionen, edited by von Hilger, P., Ofak, A. Kulturtechnik. München: Wilhelm Fink Verlag, 115-124. https://doi.org/10.30965/9783846746783_007

Bredekamp, H. 2007. »Thomas Hobbes’s Visual Strategies.« In The Cambridge Companion to Hobbes's Leviathan, edited by Springborg, P. Cambridge: Cambridge University Press, 29-60. https://doi.org/10.1017/CCOL0521836670.002

Bredekamp, H., Haffner, D. 2004. »Census, imago, technical image, prometheus: Projects of digital art history.« In Digital Resources from Cultural Institutions for Use in Teaching and Learning, edited by Stiftung Preußischer Kulturbesitz De Gruyter, 37-49. https://doi.org/10.1515/9783110936179

Articles

Bredekamp, H., Schäffner, W. 2020. »Material Agencies.« Zeitschrift für Kunstgeschichte, 83, (3): 300-309. https://doi.org/https://doi.org/10.1515/ZKG-2020-3001

Bredekamp, H., Joschke, C. 2018. »De l’histoire sociale à la Bildwissenschaft avec Marx, Benjamin et Warburg.« Perspective, (2): 105-122. https://doi.org/10.4000/PERSPECTIVE.11386

Bredekamp, H. 2018. »Fall into the abyss(Sturz in den Abyssus).« Du: Zeitschrift Der Kultur, 2018-December, (888): 58-72. https://www.scopus.com/inward/record.uri?eid=2-s2.0-85058630528&partnerID=40&md5=b3c1bf41be36e5ceeac1236db62ad8cf

Bredekamp, H. 2017. »Thomas Hobbes’s Visual Strategies.« Translated into Russian by K. Sarycheva. Novoe Literaturnoe Obozrenie, 146, (4): 22-36.

Bredekamp, H., Blower, J., Wild, J. 2014. »Autonomy and Asceticism.« Art in Translation, 6, (2): 205-214. https://doi.org/10.2752/175613114X13998876655211

Bredekamp, H., Wild, J., Whyte, I. B. 2014. »False Ski-Turns: Edgar Wind’s Critique of Heidegger and Sartre.« Art in Translation, 6, (2): 215-236. https://doi.org/10.2752/175613114X13998876655257

Bredekamp, H. 2013. »Les sorties de la caverne: Nouvelles découvertes et résultats de la paléontologie.« Cahiers du Musee National d'Art Moderne, (126): 14-23.

Krämer, S., Bredekamp, H. 2013. »Culture, Technology, Cultural Techniques – Moving Beyond Text1.« Theory, Culture & Society, 30, (6): 20-29. https://doi.org/10.1177/0263276413496287

Bredekamp, H. 2012. »Fertile moment .« Konteksty, 66, (3-4): 264-271. https://www.scopus.com/inward/record.uri?eid=2-s2.0-84873370902&partnerID=40&md5=e8ddb33571628ea8c939ec609f0a36db

Bredekamp, H. 2012. »Foot, fortune, ball: The platonic principles of the handicap. The globe and deficits of completeness .« Konteksty, 66, (3-4): 19-23.

Bredekamp, H. 2008. »The image of the Bulgarian state body as agency of violence .« Kritische Berichte, 2008, (2): 31-35.

Bredekamp, H. 2007. »Bildprobleme.« Informatik-Spektrum, 31, (1): 9-11. https://doi.org/10.1007/s00287-007-0209-x

Bredekamp, H. 2003. »A Neglected Tradition? Art History as Bildwissenschaft.« Critical Inquiry, 29, (3): 418-428. https://doi.org/10.1086/376303

Bredekamp, H. 2003. »Der utopische bilderadas des Buchmenschen Leibniz.« Zeitschrift für Germanistik, 13, (3): 539-550.

Bredekamp, H. 2000. »Gazing Hands and Blind Spots: Galileo as Draftsman.« Science in Context, 13, (3-4): 423-462. https://doi.org/10.1017/S0269889700003860

Bredekamp, H., Hause, M. T., Bond, J. 1999. »From Walter Benjamin to Carl Schmitt, via Thomas Hobbes.« Critical Inquiry, 25, (2): 247-266. https://doi.org/10.1086/448919