Embodied Futures. Knowledge and Movement
Cluster Members Involved in New Public Engagement Hub at Zentrum für Kulturtechnik
How do movement and the formation of knowledge relate to one another? The answer is as profound as it is exciting: Movement is not merely a physical act, but a fundamental catalyst for understanding! The new Public Engagement Hub at Zentrum für Kulturtechnik (ZfK) – Embodied Futures. Knowledge and Movement – is dedicated to this groundbreaking connection. This hub serves as a dynamic platform for projects and courses that utilize creative movement as a rigorous research method and a transformative educational tool. By integrating scientific, artistic, and practical perspectives, the hub fosters a participatory form of knowledge production. We are delighted that Cluster members Anna Schäffner, Léa Perraudin, and Shintaro Miyazaki are participating in the very first round of collaboration to explore these innovative research areas! The Hub currently has 10 members, of which 8 are working within tandems of researchers and body-based artists.
While interaction designer Anna Schäffner explores the field of soft robotics with multidisciplinary artist Michela Filzi, environmental media scholar Léa Perraudin, and artist Monika Gabriela Dorniak, together with the community, reflect on the contamination of Tempelhofer Feld. Media scholar Shintaro Miyazaki and choreographer Irina Demina explore how students can embody social interaction patterns through movement. In the fourth collaboration, social scientist Jeanette Ehrmann and dance artist Laurie Young, are working together on the theme of the body, gender, and the public sphere. Finally, Saskia Kroonenberg, a fellow at the Centre for Advanced Study inherit, and ethnomusicologist at SPK Sydney Hutchinson are complementing the Hub.
Detailed project descriptions, including biographies and dates, can be found further down on this page.
Intermediate stages and final results will be shared through various public formats. Stay tuned to our website and Instagram for updates on the next dates.
The Public Engagement Hub at Zentrum für Kulturtechnik was conceptualized by Irina Demina and the team for Knowledge Exchange with Society Leonie Kubigsteltig & Xenia Muth.
Embracing Collision – Exploring Proximity to Robots Through a Performance-Based Approach
Anna Schäffner & Michela Filzi
Robots are conventionally programmed to avoid all physical contact with humans. But what if collision, rather than being an accident, became a mode of interaction in its own right? Starting from a fundamental observation that our bodies learn and communicate through touch, adjustment, and confrontation with the physical environment, interaction designer Anna Schäffner and dancer Michela Filzi have collaborated to reframe how we perceive and engage with existing robotic systems. Their process draws on dance’s influence on robot design, exploring what emerges when movement and machine meet.
This project invites participants to discover a new perspective on human-robot coexistence through embodied exploration guided by contact improvisation. You will be invited to enter into a soft collision with a robot, experiencing firsthand how its material qualities can shape and transform our relationship to it.
Bios
Anna Schaeffner is an interaction designer exploring the field of human-robot interaction through a practice-based PhD at École nationale supérieure des Arts Décoratifs in Paris and the Cluster of Excellence »Matters of Activity« in Berlin. Her research centers on the design of deformable materials. Through her design practice, she investigates tangible interaction as a vehicle for movement programming, dynamic material adaptation, and expressiveness.
Michela Filzi is a multidisciplinary artist working across dance, performance, and video installation. Holding an MA in Solo Dance Authorship from HZT/Universität der Künste Berlin and a BA in Audio-Visual Arts from the Gerrit Rietveld Academie in Amsterdam, she brings a unique convergence of visual arts and movement to her practice. Her research is grounded in object-oriented ontology and vital-materialism, informing a body of work that explores embodied presence, ecological sensitivity, and collective knowledge through site-specific performances and collaborative formats. Based in Berlin and active internationally.
Dates
12.06. 6 pm - Register now
Social Media and Social Movements
Shintaro Miyazaki & Irina Demina
How does social pressure emerge? How does polarization take shape? Does assimilation feel easier than resistance? What individual decisions can contribute to more stable forms of diversity? And what role do the body and embodied experience play in a post-digital knowledge culture?
Social media not only informs us about global political and societal developments; they also profoundly shape everyday life. It is now widely acknowledged that they contribute to polarization and reinforce existing opinions. This raises a question: to what extent can social media still be shaped - and how might they support sustainable social movements?
This interactive project explores an experimental approach that combines a role-playing activity from media pedagogy (after Mitchel Resnick and Uri Wilensky) with choreographic methods. Developed within a lecture in collaboration with students, the format understands itself as an embodied experiment: it makes tangible how social dynamics emerge from situational decisions - and how they can be influenced through minimal shifts in the space for action.
Participants are invited to embody social interaction patterns through movement and simple choreographic scores, making emerging collective dynamics visible and physically perceptible.
Bios
Prof. Dr. Shintaro Miyazaki, a media studies and STS scholar, has been Junior Professor of Digital Media and Computation (tenure track) at the sub-department for Media Studies of Humboldt-Universität zu Berlin since 2020 and Senior Researcher at the Institute Experimental Design and Media Cultures at the FHNW Academy of Art and Design in Basel since 2014. Research interests: 1) Digital, algorithmic and signal-processing media, their critique of power and media archaeology. 2) Episteme of technological (design) cultures (algorithms/algorhythms, models/simulations, filters, analog circuits). 3) Community-oriented futures and their designs, alternative computing/computation, and commoning.
Irina Demina is a choreographer, artistic researcher, and educator. She completed the Master’s program in Choreography at the Inter-University Centre for Dance Berlin (HZT Berlin). Her work has received multiple awards and recognitions (including Pina Bausch Fellowship, residency at the Seoul Dance Center, »Best German Dance Solo« prize). In 2024, she founded SCARBOD Lab as a transdisciplinary platform for body-based formats at the intersection of science and art. In 2025, she was an Artist in Residence at the ZfK (HU) and is currently working on the project »Science on the Dancefloor« (with University of Tübingen).
Dates
12.06., 5 pm - Register now!
Hazardous Hope. Explorations Through Contaminated Berlin
Léa Perraudin & Monika Gabriela Dorniak
»Hazardous hope« — this is how Ayushi Dhawan and Simone M. Müller (2024) describe a practice that, amid the reality of permanently contaminated environments, experiments with new forms of coexistence rather than hoping for purity or salvation. Within this context, the project seminar explores approaches to hope as a material, embodied, and site-specific practice.
In collaboration with the anti-disciplinary Berlin-based artist Monika Gabriela Dorniak and in exchange with civil society actors and community initiatives, the team explores the material politics, concrete modes of use, and layered histories of Tempelhofer Feld. One point of departure for these activities is the group exhibition »ever-permeable boundaries«, curated by Dorniak at POV gallery, which also serves as an observation deck overlooking Tempelhofer Feld. Through speculative methods, attunement, and storytelling practices, new modes of research will be developed to make contaminated sites, their material exchanges, affective ecologies, and afterlives tangible.
To mark the end of the summer semester 2026, a participatory student-led public program will take shape as an experimental infrastructure of critical care in contaminated Berlin: a space in which this emerging practice of »hazardous hope« can be shared and tested. A collaboratively created artistic cartography and poetic score by Dorniak and Perraudin will offer visitors a more-than-human perspective onto Tempelhofer Feld, its sedimented memories, and possible future relations.
Bios
Monika Gabriela Dorniak is an artist, educator, and researcher whose anti-disciplinary practice traverses the boundaries between bodies, objects, and environments through performance, textile sculpture, and multimedia interventions. Her work unfolds within collaborative frameworks, mapping the shifting terrains of inherited and embodied memory. Dorniak’s exhibitions span institutions including the National Gallery Vilnius, Tate Exchange at Tate Modern London, Galeria Promocyjna Warsaw, and KINDL Berlin. In 2024, she began a practice-based PhD at HfK Bremen and HDK Valand Gothenburg, exploring the reverberations of the Second World War within rural, multispecies environments through autoethnographical and agricultural lenses.
Dr. Léa Perraudin is currently substitute professor for Design and History of Knowledge at the Department of Cultural History, Cultural Theory and Media Studies at HU Berlin. Her research and teaching is situated at the intersection of environmental media, queer feminism, and science and technology studies. She is a postdoctoral researcher at the Cluster of Excellence »Matters of Activity« and led the transdisciplinary experimental lab »CollActive Materials« (funded by the Berlin University Alliance, 2022-25). A particular concern of her work is exploring new forms of collaboration between critical research, design, and everyday material practices in the context of current ecological and geopolitical challenges. Léa is currently working on her second book, Melting into the World. Towards a Media Theory of Phase Transitions.
Dates
16.07. Participatory Program at Tempelhofer Feld - more info coming soon!